I wrote Crazy Thieves in Palavakkam under my name Rangachari Mohan. What is the story behind your stage name? But it became such a hit that I ultimately became a writer. At that point of time, I never thought I would become a writer. Once that came out, Kumudam magazine featured my name and my brother Balaji’s name under “Valarndhu Varum Kalaignargal” (Budding artists). Kamal Haasan subsequently performed in my drama Yamane Nee Vazhga in Singapore, with Nagesh. Katchatheevu, Cleopatra Swayamvaram are some of them. After Crazy Thieves in Palavakkam, I had written a lot of other scripts. Your play ‘Crazy Thieves at Palavakkam’ became an overnight sensation. There was no big writer in my family as well. Writer Sujatha Ranganathan used to say that every writer has an inclination for painting.
In February 1972, you wrote your first skit ‘Great Bank Robbery’ for an inter-collegiate contest. In an interview, he reveals some of his trade secrets. His dialogue provides wisecracking commentary on daily life. Introduced by Kamal Haasan to the big screen, the engineering graduate has written dialogue and screenplays for numerous films, including Apoorva Sagodhargal (1989), Michael Madana Kama Rajan (1990), Sathi Leelavathi (1995), Avvai Shanmughi (1996), Kaathala Kaathala (1998) and Vasool Raja MBBS (2004). Mohan’s troupe Crazy Creations, created along with his brother R Balaji in 1979, has staged numerous plays as well as tapped into the Crazy Mohan brand of comedy for television through the serials Here is Crazy and Siri Siri Crazy. Why the Middle Ages have such a bad reputation.Centre holds back transfer of judge who criticised Delhi Police in February 2020 riots case.A stream of medicines and pharma ingredients is seeping into the environment with deadly effects.P Sainath’s second book, ‘The Last Heroes’, will be published 25 years after his iconic first book.Kashmir got its first multiplex last month – but who is watching?.‘Human sacrifice’ in Kerala: Police suspect cannibalism, court sends 3 accused to judicial custody.
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